Expanding upon the world created by Danny Boyle and Alex Garland in 28 YEARS LATER -- but turning that world on its head -- Nia DaCosta directs 28 YEARS LATER: THE BONE TEMPLE. In a continuation of the epic story, Dr. Kelson (Ralph Fiennes) makes a discovery that could change the world as they know it -- and Spike's (Alfie Williams) encounter with Jimmy Crystal (Jack O'Connell) becomes a nightmare he can't escape. In the world of The Bone Temple, the infected are no longer the only threat to survival -- the inhumanity of the survivors can be stranger and more terrifying.

"What makes your own skin crawl isn’t just the hideousness of the violence but the unblinking matter-of-factness with which DaCosta films it. She serves it straight up, without gusto -- and does not leave you hungry for more." (The New Yorker)

"It might seem silly to invoke 'The Lord of the Rings' as a point of comparison, but Garland and Boyle -- and now DaCosta -- are working in a similarly mythic, epic register." (The Ringer)

Wednesday, M
Doors 8:15 pm | Movie 8:45 pm *Start time subject to change. Please arrive on time.

28 YEARS LATER: THE BONE TEMPLE (Nia DaCosta, 2026 / 18A / 109 mins) As Spike is inducted into Jimmy Crystal's gang on the mainland, Dr. Kelson makes a discovery that could alter the world.

Pavel "Pasha" (33) is a teacher and event organizer at a small primary school in a Russian town with a population of 10,000. In ordinary times, he is a beloved mentor, prankster, and nonconformist, known for hanging up democracy posters and offering a safe haven in his office for students who feel out of place.

However, after the 2022 full-scale invasion of Ukraine began, Pasha took on the role of an international whistleblower, exposing the devastating effects of Russia's aggressive militarization within its own schools. Haunted by his painful years as a student at the same school, Pasha remains a lighthearted and mischievous presence on campus. Yet his mission as a teacher is challenged when a new patriotic education policy is introduced during the early weeks of the full-scale invasion of Ukraine. Pasha is shocked to learn that his responsibilities now include facilitating daily state-sanctioned propaganda events. To cope with his guilt and feelings of powerlessness, he decides to document how the war is transforming his school. Under the guise of his actual role as the school's videographer, he records hundreds of hours of footage inside classrooms and on school grounds.

What emerges is the story of an institution abruptly transformed: propaganda, repressive new laws, militarized children's organizations, and the eventual recruitment of graduating students to fight in Ukraine. Pasha reaches his emotional breaking point as he films farewell parties for cherished students being sent to the frontlines in Ukraine. As the body bags return, Pasha and the rest of the school community grapple with the twin traumas of violence and repression. When Pasha learns his own life may be in danger, he is forced to plan a daring escape from Russia.

MR. NOBODY AGAINST PUTIN is Denmark's official submission for 'Best International Feature Film' category of the 98th Academy Awards in 2026, and is currently nominated for an Oscar in the Best Documentary Feature category.

"A touching, intimate chronicle." (The Hollywood Reporter)

"His principled resistance by filming, joking and refusing to teach lies makes for a riveting, courageous portrait of dissent in a place where truth can land you in jail -- or a cemetery." (Toronto Star)

Thursday, March 5
Doors 6:00 pm | Movie 6:30 pm *Start time subject to change. Please arrive on time.

MR. NOBODY AGAINST PUTIN (David Borenstein & Pavel Talankin, 2025  / 90 mins / NR / Russian w.EST) A Russian teacher secretly documents his small town school's transformation into a war recruitment center during the Ukraine invasion, revealing the ethical dilemmas educators face amid propaganda and militarization.

Colin (Harry Melling) is a young gay man who lives with his parents and sings in a barbershop quartet. He meets Ray (Alexander Skarsgard), a leather-clad, hyper-masculine biker straight out of a Tom of Finland drawing. They hook up in a dark alleyway — a one-way transaction that sets the power dynamic for their relationship. Colin naturally adopts the role of submissive, learning to cook and clean alongside whatever else Ray tasks him with. Despite his aptitude for obedience, Colin grows tired of sleeping on the floor and begins to wish for more.

"'Call Me by Your Name' meets 'Phantom Thread' in leather chaps. Harry Lighton’s debut feature is a horny, wickedly funny exploration of the sub-dom relationship. Melling and Skarsgard ignite the screen with physically and emotionally intimate performances and authentic chemistry. An orgy of sex and kink that playfully examines themes of power, autonomy, compromise, but most importantly, love." (VIFF 2025)

"The sex scenes are refreshingly graphic, but they’re never used for shock value. The real shock comes from how emotionally involved the characters become within the construct of their kink." (Boston Globe)

Thursday, March 5
Doors 8:15 pm | Film 8:45 pm` *Start time subject to change. Please arrive on time.

PILLION (Harry Lighton, 2026 /107 mins / 18A) A timid man is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.

A father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar -- daughter and sister -- who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading, but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits.

SIRÂT  is currently nominated for two Oscars, including Best International Feature and Best Sound.

"A brutal reminder that the journey can be more important than the destination, 'Sirât' is an unforgettable exercise in tension that wallops its audience like a deafening blast of bass to the face." (Rotten Tomatoes)

"'Sirāt' is not for everyone. But it is the sort of overwhelming cinematic experience and undeniable work of sound and vision that could be life-changing for those ready to receive it." (Rolling Stone Magazine)

Friday, March 6
Doors 3:45 pm | Movie 4:15 pm *Start time subject to change. Please arrive on time.

SIRÂT (Oliver Laxe, 2026 / 14A / 115 mins /) A father, accompanied by his son, goes looking for his missing daughter in North Africa.

Colin (Harry Melling) is a young gay man who lives with his parents and sings in a barbershop quartet. He meets Ray (Alexander Skarsgard), a leather-clad, hyper-masculine biker straight out of a Tom of Finland drawing. They hook up in a dark alleyway — a one-way transaction that sets the power dynamic for their relationship. Colin naturally adopts the role of submissive, learning to cook and clean alongside whatever else Ray tasks him with. Despite his aptitude for obedience, Colin grows tired of sleeping on the floor and begins to wish for more.

"'Call Me by Your Name' meets 'Phantom Thread' in leather chaps. Harry Lighton’s debut feature is a horny, wickedly funny exploration of the sub-dom relationship. Melling and Skarsgard ignite the screen with physically and emotionally intimate performances and authentic chemistry. An orgy of sex and kink that playfully examines themes of power, autonomy, compromise, but most importantly, love." (VIFF 2025)

"The sex scenes are refreshingly graphic, but they’re never used for shock value. The real shock comes from how emotionally involved the characters become within the construct of their kink." (Boston Globe)

Friday, March 6
Doors 6:30 pm | Film 7:00 pm` *Start time subject to change. Please arrive on time.

PILLION (Harry Lighton, 2026 /107 mins / 18A) A timid man is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.

Almost 20 years into their fruitless quest to book their band a gig at a hallowed Toronto venue, co-creators Matt (writer-director Matt Johnson) and Jay (writer-composer Jay McCarrol) decide it’s time to pull out all the stops. Displaced in the past, these serial bumblers inadvertently wreak havoc on the timeline, dramatically (and hilariously) rewriting their futures.

Overflowing with pop culture references, wild gags, and inspired set pieces, NIRVANNA THE BAND THE SHOW THE MOVIE is gloriously ridiculous, endlessly clever, and riotously entertaining. This one is for all the deranged dreamers out there.

"The shrewd visual trickery and sleight-of-hand editing that collapse the distance between the original series’ zero-budget aesthetic and this more comfortably subsidized version can’t actually erase the passage of time. If anything, they deepen it. Content collapsed." (The Ringer)

"A thrilling, roof-shaking blast." (A thrilling, roof-shaking blast." (Slate)

Friday, March 6
Doors 9:00 pm | Film 9:30 pm *Start time subject to change. Please arrive on time.

NIRVANNA THE BAND THE SHOW THE MOVIE (Jay McCarrol & Matt Johnson, 2025 / 98 mins / 14A) When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.

Set in the year 2027, French comic book artists turned filmmaker Ugo Beinvenu's ARCO tells the story of a 10-year-old girl, Iris, who sees a mysterious boy wearing a rainbow jumpsuit falling from the sky. It's Arco. He comes from a distant, idyllic future where time travel is possible. Iris takes him in and will do whatever it takes to help him return home. The  star-studded English voice cast includes Will Ferrell, Natalie Portman, Andy Samberg and Mark Ruffalo The film blends Ghibli-esque wonder with serious themes about humanity's future and connection to nature, and is perfect for animation lovers of all ages.

"A sweet, immersive glimpse at two of our futures, and it’s clear-eyed about which aspects of those worlds we want to avoid, and which ones we have to pursue." (TheWrap)

"When filmmakers attempt to replicate Ghibli, they often come off leaden and overwritten—“Mononoke” made too many think that Hayao never had a sense of humor—so it’s nice to see a filmmaker who values whimsy as much as message." (RogerEbert.com)

Saturday, March 7
Doors 11:45 am | Movie 12:15 pm *Start time subject to change. Please arrive on time.

ARCO (Ugo Bienvenu, 2025 / 90 mins / G) A boy from a peaceful future lands in 2075, teaming up with a local girl and her robot to find his way home, potentially saving the planet.

Middle-aged and erratic, Oscar is a failed writer who has given up on life. Unemployed and living with family, he wanders the streets of Medellín in a drunken stupor, lamenting the state of literature in his home country, where he has succumbed to the cliché of the tortured artist. However, the opportunity to mentor a young student offers a chance at redemption, if he doesn't screw it up first. In a performance marked by darkly comic pathos, first-time actor Ubeimar Rios stars in Simón Mesa Soto's Un Certain Regard Jury Prize-winner A POET, a raw and riotous farce about how good deeds are often met with the universe's idea of cruel and unusually poetic punishment.

"Anchored by writer-director Simón Mesa Soto's wry detail and Ubeimar Rios' brilliantly uneasy performance, A Poet uses the tortured artist archetype to craft a story that's as darkly funny as it is unexpectedly affecting." (Rotten Tomatoes)

"A comedy that’s frequently smart in its consideration of art, class, commerce and curdled ambition. But if poetry is about saying a lot in a little, then by the end of its two-hour runtime A Poet comes off more like funny but flabby prose." (Wall Street Journal)

Saturday, March 7
Doors 2:00 pm | Movie 2:30 pm *Start time subject to change. Please arrive on time.

A POET "Un poeta" (Simón Mesa Soto, 2025 123 mins / NR / Spanish w.EST) An aging poet finds purpose mentoring Yurlady, a talented teen, though exposing her to the poetry scene might be unwise. His own poetic pursuits led nowhere, leaving him a stereotypical obscure writer.

A father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar -- daughter and sister -- who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading, but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits.

SIRÂT  is currently nominated for two Oscars, including Best International Feature and Best Sound.

"A brutal reminder that the journey can be more important than the destination, 'Sirât' is an unforgettable exercise in tension that wallops its audience like a deafening blast of bass to the face." (Rotten Tomatoes)

"'Sirāt' is not for everyone. But it is the sort of overwhelming cinematic experience and undeniable work of sound and vision that could be life-changing for those ready to receive it." (Rolling Stone Magazine)

Saturday, March 7
Doors 4:45 pm | Movie 5:15 pm *Start time subject to change. Please arrive on time.

SIRÂT (Oliver Laxe, 2026 / 14A / 115 mins /) A father, accompanied by his son, goes looking for his missing daughter in North Africa.

A rising pop star (Charli XCX) navigates the complexities of fame and industry pressure while preparing for her arena tour debut. With Rachel Sennott, Erroll Barnett, Rosanna Arquette, Alexander Skarsgård.

"Steeped in lime green, strobe lights and flashing images, The Moment is a loud, chaotic and occasionally emotional film that puts the life of a popstar front and centre – it’s an extremely engaging viewing that provides something wholly unique." (Nerdspin)

"Made in the muso mockumentary formula of 'This Is Spinal Tap,' this satire includes a brilliant cast." (The Sun)

Saturday, March 7
Doors 7:30 pm | Movie 8:00 pm *Start time subject to change. Please arrive on time.

THE MOMENT (Aidan Zamiri, 2026 / 103 mins / 14A) A rising pop star navigates the complexities of fame and industry pressure while preparing for her arena tour debut.

Rain-couver is here to stay, so grab your galoshes, oil down your slicker and pop up your umbrella as the Park Theatre pays tribute to that 1952, silver screen classic SINGIN' IN THE RAIN!

"The three stars–Gene Kelly, Donald O'Connor and 19-year-old Debbie Reynolds–must have rehearsed endlessly for their dance numbers, which involve alarming acrobatics, but in performance they’re giddy with joy. Kelly’s soaking-wet “Singin’ in the Rain” dance number is “the single most memorable dance number on film,” Peter Wollen wrote in a British Film Institute monograph. I’d call it a tie with Donald O’Connor’s breathtaking “Make ’em Laugh” number, in which he manhandles himself like a cartoon character.

The verdict of the years knows better than Oscar: “Singin’ in the Rain” is a transcendent experience, and no one who loves movies can afford to miss it." (Robert Ebert)

Sunday, March 8
Doors 12:45 pm | Film 1:15 pm *Start time subject to change. Please arrive on time.

SINGIN' IN THE RAIN (Gene Kelly & Stanley Donan | 1952 | 103 min | G) In 1927 Hollywood, a silent film star falls for a chorus girl just as he and his paranoid screen partner struggle to make the difficult transition to talking pictures.

Almost 20 years into their fruitless quest to book their band a gig at a hallowed Toronto venue, co-creators Matt (writer-director Matt Johnson) and Jay (writer-composer Jay McCarrol) decide it’s time to pull out all the stops. Displaced in the past, these serial bumblers inadvertently wreak havoc on the timeline, dramatically (and hilariously) rewriting their futures.

Overflowing with pop culture references, wild gags, and inspired set pieces, NIRVANNA THE BAND THE SHOW THE MOVIE is gloriously ridiculous, endlessly clever, and riotously entertaining. This one is for all the deranged dreamers out there.

"The shrewd visual trickery and sleight-of-hand editing that collapse the distance between the original series’ zero-budget aesthetic and this more comfortably subsidized version can’t actually erase the passage of time. If anything, they deepen it. Content collapsed." (The Ringer)

"A thrilling, roof-shaking blast." (A thrilling, roof-shaking blast." (Slate)

Sunday, March 8
Doors 3:15 pm | Film 3:45 pm *Start time subject to change. Please arrive on time.

NIRVANNA THE BAND THE SHOW THE MOVIE (Jay McCarrol & Matt Johnson, 2025 / 98 mins / 14A) When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.

A father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar -- daughter and sister -- who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading, but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits.

SIRÂT  is currently nominated for two Oscars, including Best International Feature and Best Sound.

"A brutal reminder that the journey can be more important than the destination, 'Sirât' is an unforgettable exercise in tension that wallops its audience like a deafening blast of bass to the face." (Rotten Tomatoes)

"'Sirāt' is not for everyone. But it is the sort of overwhelming cinematic experience and undeniable work of sound and vision that could be life-changing for those ready to receive it." (Rolling Stone Magazine)

Sunday, March 8
Doors 5:45 pm | Movie 6:15 pm *Start time subject to change. Please arrive on time.

SIRÂT (Oliver Laxe, 2026 / 14A / 115 mins /) A father, accompanied by his son, goes looking for his missing daughter in North Africa.

Colin (Harry Melling) is a young gay man who lives with his parents and sings in a barbershop quartet. He meets Ray (Alexander Skarsgard), a leather-clad, hyper-masculine biker straight out of a Tom of Finland drawing. They hook up in a dark alleyway — a one-way transaction that sets the power dynamic for their relationship. Colin naturally adopts the role of submissive, learning to cook and clean alongside whatever else Ray tasks him with. Despite his aptitude for obedience, Colin grows tired of sleeping on the floor and begins to wish for more.

"'Call Me by Your Name' meets 'Phantom Thread' in leather chaps. Harry Lighton’s debut feature is a horny, wickedly funny exploration of the sub-dom relationship. Melling and Skarsgard ignite the screen with physically and emotionally intimate performances and authentic chemistry. An orgy of sex and kink that playfully examines themes of power, autonomy, compromise, but most importantly, love." (VIFF 2025)

"The sex scenes are refreshingly graphic, but they’re never used for shock value. The real shock comes from how emotionally involved the characters become within the construct of their kink." (Boston Globe)

Sunday, March 8
Doors 8:30 pm | Film 9:00 pm` *Start time subject to change. Please arrive on time.

PILLION (Harry Lighton, 2026 /107 mins / 18A) A timid man is swept off his feet when an enigmatic, impossibly handsome biker takes him on as his submissive.

Almost 20 years into their fruitless quest to book their band a gig at a hallowed Toronto venue, co-creators Matt (writer-director Matt Johnson) and Jay (writer-composer Jay McCarrol) decide it’s time to pull out all the stops. Displaced in the past, these serial bumblers inadvertently wreak havoc on the timeline, dramatically (and hilariously) rewriting their futures.

Overflowing with pop culture references, wild gags, and inspired set pieces, NIRVANNA THE BAND THE SHOW THE MOVIE is gloriously ridiculous, endlessly clever, and riotously entertaining. This one is for all the deranged dreamers out there.

"The shrewd visual trickery and sleight-of-hand editing that collapse the distance between the original series’ zero-budget aesthetic and this more comfortably subsidized version can’t actually erase the passage of time. If anything, they deepen it. Content collapsed." (The Ringer)

"A thrilling, roof-shaking blast." (A thrilling, roof-shaking blast." (Slate)

Monday, March 9
Doors 5:50 pm | Film 6:20 pm *Start time subject to change. Please arrive on time.

NIRVANNA THE BAND THE SHOW THE MOVIE (Jay McCarrol & Matt Johnson, 2025 / 98 mins / 14A) When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.

A rising pop star (Charli XCX) navigates the complexities of fame and industry pressure while preparing for her arena tour debut. With Rachel Sennott, Erroll Barnett, Rosanna Arquette, Alexander Skarsgård.

"Steeped in lime green, strobe lights and flashing images, The Moment is a loud, chaotic and occasionally emotional film that puts the life of a popstar front and centre – it’s an extremely engaging viewing that provides something wholly unique." (Nerdspin)

"Made in the muso mockumentary formula of 'This Is Spinal Tap,' this satire includes a brilliant cast." (The Sun)

#MusicMonday, March 9
Doors 8:15 pm | Movie 8:45 pm *Start time subject to change. Please arrive on time.

THE MOMENT (Aidan Zamiri, 2026 / 103 mins / 14A) A rising pop star navigates the complexities of fame and industry pressure while preparing for her arena tour debut.

Oscar-winning filmmaker Yorgos Lanthimos (POOR THINGS, THE FAVOURITE, THE LOBSTER) brings his signature, bold and irreverent storytelling style to BUGONIA, an English-language remake of Jang Joon-hwan's 2003 South Korean film SAVE THE GREEN PLANET! This darkly satiric comedy thriller about a pair of conspiracy-obsessed young men who kidnap the high-powered CEO of a major company because they are convinced that she is an alien intent on destroying planet Earth, finds the director re-uniting with muse Emma Stone (who took home her second Oscar for her memorable turn as Bella in POOR THINGS) and Jesse Plemons (KINDS OF KINDESS). With Alicia Silverstone, Aidan Delbis.

BUGONIA is currently nominated for three Golden Globe Awards, including for Best Film (Musical or Comedy), as well as for performances from Emma Stone (Best Actress -Musical or Comedy Film) and Jesse Plemons (Best Actor -Musical or Comedy Film).

"Emma Stone and Jesse Plemons are at the top of their game in 'Bugonia', a bonkers black comedy that applies director Yorgos Lanthimos' whip-smart method to modern society's madness." (Rotten Tomatoes)

"Perhaps this nihilism will prove too trenchant and reactive for some viewers. That’s perfectly fine: Sometimes it feels good to scream for help, even if it will never come." (Salon.com)

Tuesday, March 10
Doors 5:45 pm | Movie 6:15 pm *Start time subject to change. Please arrive on time.

Enjoy Tuesday 2-for-1 ticket pricing!

BUGONIA (Yorgos Lanthimos, 2025 / 119 mins / 14A) Two conspiracy-obsessed men kidnap the CEO of a major company when they become convinced that she's an alien who wants to destroy Earth.

“You keep dancing with the devil, one day he’s gonna follow you home.”

Following the massive success of both CREED and BLACK PANTHER franchises American director Ryan Coogler is again reuniting with one of the stars of those films, Michael B. Jordan, in an entirely new vision of fear: SINNERS. One of the most critically acclaimed and talked about movies of 2025, Golden Globe-winner SINNERS is currently nominated for a record-braking 16 Oscars.

Trying to leave their troubled lives behind, twin brothers (Jordan, in a dual role) return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back. With Hailee Steinfeld, Jack O’Connell, Wunmi Mosaku, and Delroy Lindo.

"'Sinners' is a redemption movie, a revenge movie with elements of Blaxploitation, and certainly a red-blood-soaked horror movie; it’s also deeply romantic and has the rhythms and audaciousness of some of our boldest musicals." (Filmspotting)

"An awe-inspiring ode to what music means to communities and cultures." (Chicago Reader)

Tuesday, March 10
Doors 8:30 pm | Movie 9:00 pm *Start time subject to change. Please arrive on time.

SINNERS (Ryan Coogler, 2025 / 137 mins / 14A) Trying to leave their troubled lives behind, twin brothers return to their hometown to start again, only to discover that an even greater evil is waiting to welcome them back.

Sisters Nora and Agnes reunite with their estranged father, the charismatic Gustav, a once-renowned director who offers stage actress Nora a role in what he hopes will be his comeback film. When Nora turns it down, she soon discovers he has given her part to an eager young Hollywood star. Suddenly, the two sisters must navigate their complicated relationship with their father -- and deal with an American star dropped right into the middle of their complex family dynamics.

The latest tragi-comedy / family drama from acclaimed Danish-Norwegian filmmaker Joachim Trier finds him re-teaming with actress Renate Reinsve (THE WORST PERSON IN THE WORLD) in SENTIMENTAL VALUE, which is one of the most lauded films of 2025. It won the Grand Prize at the Cannes Film Festival and was nominated for 8 Golden Globe Awards, and won Best Performance by a Male Actor in a Supporting Role in any Motion Picture, Stellan Skarsgård.

"A fantastic showcase for Renate Reinsve and Stellan Skarsgård, and another strong piece from director Joachim Trier, this is a moving drama that lingers long." (Empire Magazine)

"Trier’s film overflows with the kind of genuinely impactful potential that we go to the movies for, the type that leaves us feeling understood more than it makes us feel good." (Salon.com)

Wednesday, March 11
Doors 5:45 pm | Movie 6:15 pm *Start time subject to change. Please arrive on time.

SENTIMENTAL VALUE "Affeksjonsverdi" (Joachim Trier, 2025 / 133 mins / PG / Norwegian and Swedish w. EST) An intimate exploration of family, memories, and the reconciliatory power of art.

Almost 20 years into their fruitless quest to book their band a gig at a hallowed Toronto venue, co-creators Matt (writer-director Matt Johnson) and Jay (writer-composer Jay McCarrol) decide it’s time to pull out all the stops. Displaced in the past, these serial bumblers inadvertently wreak havoc on the timeline, dramatically (and hilariously) rewriting their futures.

Overflowing with pop culture references, wild gags, and inspired set pieces, NIRVANNA THE BAND THE SHOW THE MOVIE is gloriously ridiculous, endlessly clever, and riotously entertaining. This one is for all the deranged dreamers out there.

"The shrewd visual trickery and sleight-of-hand editing that collapse the distance between the original series’ zero-budget aesthetic and this more comfortably subsidized version can’t actually erase the passage of time. If anything, they deepen it. Content collapsed." (The Ringer)

"A thrilling, roof-shaking blast." (A thrilling, roof-shaking blast." (Slate)

Wednesday, March 11
Doors 8:45 pm | Film 9:15 pm *Start time subject to change. Please arrive on time.

NIRVANNA THE BAND THE SHOW THE MOVIE (Jay McCarrol & Matt Johnson, 2025 / 98 mins / 14A) When their plan to book a show at the Rivoli goes horribly wrong, Matt and Jay accidentally travel back to the year 2008.

The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

""Undertone" is the scariest movie you will ever hear, viscerally overloading your eardrums with haunts that are sure to keep you up at night and evoke a physical reaction when you hear it again." (Nerdbot)

"Of all the films that have depended on audio-instigated thrills and chills, The Undertone may be the best to have ever done it ... Flawless in execution and detail ... The Undertone is one of the best horror thrillers you will ever listen to." (Screen Anarchy)

Thursday, March 12
Doors 6:00 pm | Movie  6:30 pm *Start time subject to change. Please arrive on time.

UNDERTONE (Ian Tuason, 2026 / 85 mins / 18A) The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

A father (Sergi López) and his son arrive at a rave deep in the mountains of southern Morocco. They are searching for Mar -- daughter and sister -- who vanished months ago at one of these endless, sleepless parties. Surrounded by electronic music and a raw, unfamiliar sense of freedom, they hand out her photo again and again. Hope is fading, but they push through and follow a group of ravers heading to one last party in the desert. As they venture deeper into the burning wilderness, the journey forces them to confront their own limits.

SIRÂT  is currently nominated for two Oscars, including Best International Feature and Best Sound.

"A brutal reminder that the journey can be more important than the destination, 'Sirât' is an unforgettable exercise in tension that wallops its audience like a deafening blast of bass to the face." (Rotten Tomatoes)

"'Sirāt' is not for everyone. But it is the sort of overwhelming cinematic experience and undeniable work of sound and vision that could be life-changing for those ready to receive it." (Rolling Stone Magazine)

Thursday, March 12
Doors 8:15 pm | Movie 8:45 pm *Start time subject to change. Please arrive on time.

SIRÂT (Oliver Laxe, 2026 / 14A / 115 mins /) A father, accompanied by his son, goes looking for his missing daughter in North Africa.

Lee Sang-il’s surprise hit of 2025, KOKUHO (which translates as, "national treasure"), a nearly three-hour epic period drama about the cloistered world of traditional kabuki theater, has defied expectations and become Japan’s top-grossing domestic live-action film of all time. It was selected as Japan’s 2026 Oscar submission for Best International Feature, and is currently nominated for a Best Makeup and Hairstyling Academy Award.

KOKUHO traces five decades in the intertwined lives of two kabuki actors: an orphaned outsider and the heir of a prestigious stage family, whose friendship curdles into obsession and rivalry. Adapting a novel by Shuichi Yoshida, Lee — best known internationally for VILLAIN and RAGE — has crafted a “transporting and operatic” story that “blends backstage melodrama, succession saga and making-of-an-artist dynamics” into a sweeping meditation on ambition, artistry and sacrifice. With Ryo Yoshizawa, Ryusei Yokohama, Ken Watanabe, Mitsuki Takahata, and Shinobu Terajima.

"A visual knockout that patiently explores the price that artists pay for their craft, Kokuho's astonishing technical virtues are only rivaled by Ryô Yoshizawa and Ryûsei Yokohama's superb performances." (Rotten Tomatoes)

"At the center of its superb cast, Ryo Yoshizawa and Ryusei Yokohama deliver exquisitely layered performances that interweave offstage characterization and onstage theatricality. " (The Hollywood Reporter)

Friday, March 13
Doors 5:30 pm | Film 6:00 pm *Start time subject to change. Please arrive on time.

KOKUHO "Kokuhô" (Lee Sang-i, 2025 / 175 mins / 14A / Japanese w. EST) In post-war Japan's economic boom, gangster family-born Kikuo Tachibana finds himself adopted by a kabuki actor. Despite life's challenges, he develops into a gifted performer.

The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

""Undertone" is the scariest movie you will ever hear, viscerally overloading your eardrums with haunts that are sure to keep you up at night and evoke a physical reaction when you hear it again." (Nerdbot)

"Of all the films that have depended on audio-instigated thrills and chills, The Undertone may be the best to have ever done it ... Flawless in execution and detail ... The Undertone is one of the best horror thrillers you will ever listen to." (Screen Anarchy)

Friday, March 13
Doors 9:30 pm | Start time 10:00 pm *Start time subject to change. Please arrive on time.

UNDERTONE (Ian Tuason, 2026 / 85 mins / 18A) The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

Lee Sang-il’s surprise hit of 2025, KOKUHO (which translates as, "national treasure"), a nearly three-hour epic period drama about the cloistered world of traditional kabuki theater, has defied expectations and become Japan’s top-grossing domestic live-action film of all time. It was selected as Japan’s 2026 Oscar submission for Best International Feature, and is currently nominated for a Best Makeup and Hairstyling Academy Award.

KOKUHO traces five decades in the intertwined lives of two kabuki actors: an orphaned outsider and the heir of a prestigious stage family, whose friendship curdles into obsession and rivalry. Adapting a novel by Shuichi Yoshida, Lee — best known internationally for VILLAIN and RAGE — has crafted a “transporting and operatic” story that “blends backstage melodrama, succession saga and making-of-an-artist dynamics” into a sweeping meditation on ambition, artistry and sacrifice. With Ryo Yoshizawa, Ryusei Yokohama, Ken Watanabe, Mitsuki Takahata, and Shinobu Terajima.

"A visual knockout that patiently explores the price that artists pay for their craft, Kokuho's astonishing technical virtues are only rivaled by Ryô Yoshizawa and Ryûsei Yokohama's superb performances." (Rotten Tomatoes)

"At the center of its superb cast, Ryo Yoshizawa and Ryusei Yokohama deliver exquisitely layered performances that interweave offstage characterization and onstage theatricality. " (The Hollywood Reporter)

Saturday, March 14
Doors 2:30 pm | Film 3:00 pm *Start time subject to change. Please arrive on time.

KOKUHO "Kokuhô" (Lee Sang-i, 2025 / 175 mins / 14A / Japanese w. EST) In post-war Japan's economic boom, gangster family-born Kikuo Tachibana finds himself adopted by a kabuki actor. Despite life's challenges, he develops into a gifted performer.

The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

""Undertone" is the scariest movie you will ever hear, viscerally overloading your eardrums with haunts that are sure to keep you up at night and evoke a physical reaction when you hear it again." (Nerdbot)

"Of all the films that have depended on audio-instigated thrills and chills, The Undertone may be the best to have ever done it ... Flawless in execution and detail ... The Undertone is one of the best horror thrillers you will ever listen to." (Screen Anarchy)

Saturday, March 14
Doors 9:00 pm | Movie 9:30 pm *Start time subject to change. Please arrive on time.

UNDERTONE (Ian Tuason, 2026 / 85 mins / 18A) The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

""Undertone" is the scariest movie you will ever hear, viscerally overloading your eardrums with haunts that are sure to keep you up at night and evoke a physical reaction when you hear it again." (Nerdbot)

"Of all the films that have depended on audio-instigated thrills and chills, The Undertone may be the best to have ever done it ... Flawless in execution and detail ... The Undertone is one of the best horror thrillers you will ever listen to." (Screen Anarchy)

Sunday, March 15
Doors 12:45 pm | Movie 1:30 pm *Start time subject to change. Please arrive on time.

UNDERTONE (Ian Tuason, 2026 / 85 mins / 18A) The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

Lee Sang-il’s surprise hit of 2025, KOKUHO (which translates as, "national treasure"), a nearly three-hour epic period drama about the cloistered world of traditional kabuki theater, has defied expectations and become Japan’s top-grossing domestic live-action film of all time. It was selected as Japan’s 2026 Oscar submission for Best International Feature, and is currently nominated for a Best Makeup and Hairstyling Academy Award.

KOKUHO traces five decades in the intertwined lives of two kabuki actors: an orphaned outsider and the heir of a prestigious stage family, whose friendship curdles into obsession and rivalry. Adapting a novel by Shuichi Yoshida, Lee — best known internationally for VILLAIN and RAGE — has crafted a “transporting and operatic” story that “blends backstage melodrama, succession saga and making-of-an-artist dynamics” into a sweeping meditation on ambition, artistry and sacrifice. With Ryo Yoshizawa, Ryusei Yokohama, Ken Watanabe, Mitsuki Takahata, and Shinobu Terajima.

"A visual knockout that patiently explores the price that artists pay for their craft, Kokuho's astonishing technical virtues are only rivaled by Ryô Yoshizawa and Ryûsei Yokohama's superb performances." (Rotten Tomatoes)

"At the center of its superb cast, Ryo Yoshizawa and Ryusei Yokohama deliver exquisitely layered performances that interweave offstage characterization and onstage theatricality. " (The Hollywood Reporter)

Sunday, March 15
Doors 7:45 pm | Film 8:15 pm *Start time subject to change. Please arrive on time.

KOKUHO "Kokuhô" (Lee Sang-i, 2025 / 175 mins / 14A / Japanese w. EST) In post-war Japan's economic boom, gangster family-born Kikuo Tachibana finds himself adopted by a kabuki actor. Despite life's challenges, he develops into a gifted performer.

The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

""Undertone" is the scariest movie you will ever hear, viscerally overloading your eardrums with haunts that are sure to keep you up at night and evoke a physical reaction when you hear it again." (Nerdbot)

"Of all the films that have depended on audio-instigated thrills and chills, The Undertone may be the best to have ever done it ... Flawless in execution and detail ... The Undertone is one of the best horror thrillers you will ever listen to." (Screen Anarchy)

Monday, March 16
Doors 6:00 pm | Movie 6:30 pm *Start time subject to change. Please arrive on time.

UNDERTONE (Ian Tuason, 2026 / 85 mins / 18A) The host of a popular paranormal podcast becomes haunted by terrifying recordings mysteriously sent her way.

While people across 1990's Iraq struggle to survive, 9-year old Lamia has been selected to prepare a cake to celebrate the President's birthday. In a landscape of fear and scarcity, where basic ingredients are nearly impossible to find, Lamia sets out on a determined journey throughout the big city in search of eggs, flour, and sugar. Accompanied by her grandmother, her loyal friend Saeed, and her pet rooster Hindi, she navigates vendors and police officers along the way use her wits and imagination to gather ingredients and prepare the mandatory cake in THE PRESIDENT’S CAKE.

Writer-director Hasan Hadi's THE PRESIDENT'S CAKE won the Audience Award and the Caméra d'Or at the 2025 Cannes Film Festival,  and was selected as the Iraqi entry for Best International Feature Film for the 2026 Oscars.

"A tenderly crafted, often devastating portrait of childhood in rural Iraq, 'The President's Cake' vividly brings to life its morally complex world through richly drawn characters and intimate storytelling." (Rotten Tomatoes)

"From the pastoral beauty of its opening sequence to the gut punch of its last, Hadi’s film is an exceptional screen debut, as perceptive as it is kinetic and, with one eye on the bombers overhead, brimming with life." (The Hollywood Reporter)

Friday, March 20
Doors 6:30 pm | Movie 7:00 pm *Start time subject to change. Please arrive on time.

Tickets on sale March 9!

THE PRESIDENT'S CAKE "Mamlaket al-qasab" (Hasan Hadi, 2026 / 105 mins / PG / Arabic w. EST)

The Saturday Morning All-You-Can-Eat Cereal Cartoon Party is coming to the Park Theatre with a Spring Break event featuring an all-new lineup of retro TV goodness, covered in sugary cereal. It's Volume XII!

Kids today may not realize the significance of the Saturday morning ritual, but once upon a time, we had to wait a whole week to get our cartoon fix, and when we got it, we tended to binge. Well – welcome to The Saturday Morning All-You-Can-Eat Cereal Cartoon Party - that special time when kids and kids-at-heart get to relive the exciting Saturday Morning ritual of non-stop retro cartoons, and binge on the multi-colored sugary cereals that used to be a part of every “balanced” breakfast!

The cartoon lineup is always a mystery, but expect to see monsters, sci-fi, sleuths, superheroes and all kinds of 2D silliness, both faves and obscurities spanning the '30s through the '90s, all punctuated with vintage commercials, PSAs and station IDs for a 3-hour trip down memory lane! So get ready for a sugar rush and an explosion of nostalgia all wrapped up in one candy-coated package.

Curated by David Bertrand

Dairy-free and gluten-free options available! Compostable bowls and spoons will be provided, however we welcome and encourage guests to bring their own NON-BREAKABLE (ie, not ceramic) bowls and spoons.

Saturday, March 21
Doors 10:00 am | Event 10:30 am *Start time subject to change. Please arrive on time.

Adults $23
Kids Pricing (13 and under) $15